PROFESSIONAL WORK

The Oregonian

• 9 theatrical experiences to add to your calendar: Portland spring arts guide

• 9 Portland theater productions coming to digital platforms this fall

• Award spurs broader conversations around racism in Portland theatre

• Oregon groups are working to provide immediate relief to out-of-work artists

• ‘Our Ruined House’ mixes surrealism, humor to explore erosion of trust

• ‘Native Gardens’ casts a wry, empathetic eye on our current political moment

• ‘A Dolls House, Part 2’ masters the sequel as it explores feminism, marriage and living by ideals

• 'Sense and Sensibility’ gets a makeover that heightens its humor without wounding its heart

• 'Luna Gale' takes a hard look at the child services system (review)

• 'This Girl Laughs' is a fairy tale about growing up for all ages

• 'Mojada' beautifully fuses Greek myth with a modern immigration story (review)

• In 'The Events,' characters try to make sense of a mass shooting (review)

• Family takes center stage in 'Fun Home,' a wry look at cartoonist's girlhood (review)

• 'Watson Intelligence’ examines machines' place in society

Oregon ArtsWatch

• Portland: Comics City, U.S.A.

• Amid crises, creating art to heal

• Chatting with the new laureates

• Tales from the traumatic edge

• Graphic Voices of Guantanamo

• A poet laureate for new times

• Vision 2020: Joamette Gil

• Boom! Big Changes as season ends

• Dreaming about ‘Tomorrow

• Boom goes fishing with puppets

• Boom Arts: the halftime report

• Boom Arts: the executive chair

• Penny Arcade, back in town

• Boom Arts: Puppets from Kiev

• “Small Mouth Sounds”: Things Left Unsaid

• Boom Arts’ Festive Revolution

• Purple is the Color of Hard Won Joy

• Listen: talking Native arts & culture

• 'Fences': then and now

• About that turkey of a play...

• 'Hamilton' in Portland: Historic!

• 'The Mermaid Hour' rolls around

• Gambling with 'Macbeth'

• Long, Cold, and Worth It

• On the Run from Dystopia

• The inner quest for Utopia

• Wordstock 2: The new comics, the unwanted book, donuts & dystopias

• The significance of ‘Insignificance’

• Caught in a lie, or a truth

• ‘An Octoroon’: a punch and a gasp

American Theatre Magazine

• Drag Queen: Darcelle XV

• Running Interference for Wireless Mics

• Make Theatre Not Waste

• Theatres of Color Gather for Historic St. Louis Meeting

• Rising Leaders of Color’s Oregon Cohort: Only Connect

• Portland's Space Race

• Body, Ritual, Time: Impressions From Portland’s TBA

• 14 Lessons in 14 Days at the National Critics Institute

• Belonging and Becoming: Reflections on #TCG17

 Portland Mercury

• Artists Repertory Will Keep Building

• Goths on Cabaret at PETE’s Cardiac Oregon

• The Dope Elf Review: TBA and Yale Union Join Forces to Bring Portland One Weird Play About Gentrification

• TBA 2019: With The Want Adam Linder Seems to Want to Prevent Us from Understanding

• What’s Happening With the Artists Repertory Theatre’s ART on Tour?

• Hand2Mouth’s The Art of Blushing and The Lazarus Complex Are Two Haunting Plays About Suicide

• TBA: Kaneza Schaal's Jack & Mixes Theater, Stand-Up, Dance, Music, and Ritual

WRITING

The Fabulist

• You Will Remember This(2022)

Telephone

• The Twins (2021)

Bodega

• Be Someone Else (2021)

Hello Mr.

• After an Accident (2017)

Pacifica Literary Review

• Supermarket Bouquet (2017)

Somnambulist

• Somnambulist #28 (2016)

• Somnambulist #26 (2015)

Excavations (2015)

• Excavations (2015)

Our Fires (podcast)

• The Tillamook Burn (2016)

AWARDS

• 2017 - Fellow, National Critics Institute

• 2017 - Rising Leader of Color, Theatre Communications Group